Prior to my screening of “locked”, director David Yarowski (“Brightburn,” “Nightbukes”) made a surprising appearance to thank the press and special guests in the presence, as it would first have to watch the film with a crowd with a crowd of friends and colleagues. “When I started making this film, I can’t tell you how many people said ‘Oh Cool, this is a complete streaming film,’ […] So it is real because when you walk in an AMC and see it on the screen like this, you don’t know that it is a small Indie film. “And that’s right.” Locked “is the type of Indie thriller that used to remove a movie theater bread and butter-boss/high-Return seat-filters such as Kurt Russell’s” breakdown “or cattle,” dumped on a streamer and lost zero of algorithms.
Fortunately, the “lock” reminds of a past era for good and evil. “What did the white people do? Where did they get stuck?” Sub -groups of movies (Nirupam Dhakal alias Hugisamamoth) “Lock” Bill Scarsgard trading for a peat davidson makeover in his counting elok mustache, who is a petty criminal, who quickly feels that he has broken into the wrong luxury vehicle, when he himself is trapped in a boobitrapad car, a person owned by William (Sir Anthony Hopakins). This potentially deadly vehicle can only be present as a result of a dirty octazerion, which is accompanied by a dirty Harry -shaped chip on its shoulder and way A lot of time on his hands.
Produced by the remake of the Horror Legend Sam Rimei and the remake of the Argentine’s film “4×4”, your mileage may vary with “lock”, a strange piece with dedicated performance and a strangely trusted thkopical core, but leaving a lot to be desired.
The lock is both very restrained and at the top too
Once Eddie is in fancy, one type of dolus (it is a modified land rover), the film creatively finds a man finding ways to see a recreational experience in a car. For most parts, the “lock” is successful. Unlike “4×4”, the film includes a series of security cameras that sometimes allow the audience to see Eddie from William’s point of view, but it often feels distracted and disrupts the stress prepared beautifully from the performance of Scarsguard. Over the years he has proved to be one of the endless warsable artists, so it becomes disappointing to disrupt his flow.
In addition, disappointment is the restraint of the film about its social politics. Both Eddie and William engage in debate about systemic neglect, failures of criminal justice system, poverty and generational division, but do not swing enough. Comparison is a thief of happiness, but the “4×4” expands the struggle outwards and brings the debate into the streets (literally), while the “lock” firmly crosses it mutually mutually mutually transferable between William and Eddie. The car acts as a subtle world of society, but by keeping it so intimate, it also loses the nuances of how complicated this interaction can be when the factoring in reality is that the social groups are not unbroken. Keeping in mind the current political atmosphere, cleanliness often felt me that the film had irresponsibly handled such serious topics.
But at the same time, “lock” is a very unknown film [complimentary]With some scenes of over-the-top violence and shocking graphic gore that will quickly remind the audience that it is a Sam-rimi production. It is here that the film actually raises steam, with a terrible chase scene, in which William has controlled the car from a distance to hunt Eddie’s young daughter on the way from home to home from school as a stand-out set piece of the entire film. Stress is so effective that you forget that moment before, we had to listen to Hopkins to make the word “triggers” weapons.
If the film embraced its Gonzo side more and committed to the political satire exploitation, it could have been the ability to be a sleeper hit. As much as it hurts me to say, “Lock” feels that “it has forgotten the 2025 thriller looking for a new life on Netflix” with the title A /Film article is fixed as a future recipient (thus a), despite, all things were considered, a very funny time in films.
Anthony Hopkins hurts Bill Scarsgard to his kick
The “lock” lives and a trapped-in-car bill dies of the taunting voice of Anthony Hopkins on scarsguard and vehicle speakers, and it is clear that both are making a full explosion. Hopkins’ William especially seems as if he is actually a field day that is taking AD of Scarsgard at any time, whenever he drops an F-bomb, and the Scarsgard spontaneously assured the audience that he is a wrong step from being killed for full runTime. When the hopkins finally appear in the meat, it is a welcome reminder that it is not only the best to do it, but has not slowed down a bit due to shy in a few years of 90.
But strangely, the stress of the film is slightly less about how difficult it is to be related to William. While Eddie, on paper, is one of the “wrong” to break into the car, in the current American climate, it is impossible to see anything other than the victim. The rich who complained about the changing neighborhood on William Nexador are an incarnation of old people, and even when it is discovered that they had to face a tragic loss in the hands of criminals, which were unpounted, it is difficult to think, “The old people were actually in an expensive car, instead of going to therapy, which instead of going to therapy?” With at least Ara, we considered his crimes a final-end attempt. William is only soociopathic as a result of failing to deal with his own trauma. His decision to torture AD is not specifically targeted on him. Instead, he is forcing this random man to take the brunt of his wrong anger. William experienced a tragic loss due to systemic failures of our government and judicial system, and instead of remembering who the real enemy is, has decided to make it Any He sees as a at least a personal problem. And it has the real power of “lock”.
Are we all just “poor people stuck in the rich man’s owl car, which has no control over our environment”?
/Film Rating: 4 out of 10
“Lock” opens in theaters on March 21, 2025.
